Mathilde Invernon
Bell End
Geneva
At the core of «Bell End» is the «arsehole» – a toxic figure ubiquitous at work and in everyday life. Together with Arianna Camilli, Mathilde Ivernon dissects its micro-gestures and -words, at times comical, at others repulsive. The two performers turn ingrained gender stereotypes on their head and expose the language of masculinist dominance and misogynistic violences. Between ventriloquism and singing, masquerade and revelation, a provocative and simultaneously unsettling performance unfolds – surprising, playful, and political.
Dates and Tickets
shows from today- Fr 22.08. 19:00 - 19:45 CHF 15.–/15.–
- Sa 23.08. 19:00 - 19:45 CHF 15.–/15.–
- Su 24.08. 16:00 - 16:45 CHF 15.–/15.–
Artistic direction and cast
| Konzeption & Regie | Mathilde Invernon |
|---|---|
| Mit | Arianna Camilli, Mathilde Invernon |
| Ausstattung | Andrea Baglione |
| Lichtdesign | Justine Bouillet, Loïc Waridel |
| Sound | Aho Ssan, Loïc Waridel |
| Regie | Loïc Waridel |
| Auge von Aussen | Anna-Marija Adomaityte, Piera Bellato |
| Vokal-Coach | François Renou |
| Übersetzung | Colette Boisivon, Dòra Kapusta |
| Operator | Dòra Kapusta |
| Foto | Matthieu Croizier |
Production
| Produktion | Cie Carmen Chan, Manon Monnier |
|---|---|
| Koproduktion | Emergentia – réalisé par L’Abri, TU – Théâtre de l’Usine, Pavillon ADC, La Bâtie-Festival de Genève |
| Unterstützung | Loterie romande, Fondation Engelberts, Ernst Göhner Stiftung, Corodis, Kanton Genf |
| Premiere | November 2023, Festival Emergentia – L’Abri, Genf |